1858-1921 Belgian Fernand Khnopff Gallery Fernand Khnopff was born to a wealthy family that was part of the high bourgeoisie for generations. Khnopff's ancestors had lived in Flanders since the early 17th-century but were of Austrian and Portuguese descent. Most male members of his family had been lawyers or judges, and young Fernand was destined for a juridical career. In his early childhood (1859-1864) he lived in Bruges where his father was appointed Substitut Du Procureur Du Roi. His childhood memories of the medieval city of Bruges would play a significant role in his later work. In 1864 the family moved to Brussels. To please his parents he went to law school at the Free University of Brussels (now divided into the Universite Libre de Bruxelles and the Vrije Universiteit Brussel) when he was 18 years old. During this period he developed a passion for literature, discovering the works of Baudelaire, Flaubert, Leconte de Lisle and other mostly French authors. With his younger brother Georges Khnopff - also a passionate amateur of contemporary music and poetry - he started to frequent Jeune Belgique ("Young Belgium"), a group of young writers including Max Waller, Georges Rodenbach, Iwan Gilkin and Emile Verhaeren. Khnopff left University due to a lack of interest in his law studies and began to frequent the studio of Xavier Mellery, who made him familiar with the art of painting. On the 25th of October 1876 he enrolled for the Cours De Dessin Apres Nature ("course of drawing after nature") at the Academie Royale des Beaux-Arts en Bruxelles. At the Academie, his most famous fellow student was James Ensor, whom he disliked from the start. Between 1877 and 1880 Khnopff made several trips to Paris where he discovered the work of Delacroix, Ingres, Moreau and Stevens. At the Paris World Fair of 1878 he became acquainted with the oeuvre of Millais and Burne-Jones. During his last year at the Acad??mie in 1878-1879 he neglected his classes in Brussels and lived for a while in Passy, were he visited the Cours Libres of Jules Joseph Lefebvre at the Acad??mie Julian.   Related Paintings of Fernand Khnopff :. | Portrait of Jules Philippson | In Fosset The Hamlet | Art,or The Sphinx.or The Caresses (mk19) | Head of a Woman | Portrait of Jeanne de Bauer |
Related Artists:
Hendrik Valkenburg
painted An old kitchen with a mother and two children at the cauldron in 1872
Edmund M.Ashe
American 1867-1941
margareta capsia gavelin
Margareta Capsia, född 1682 i Sverige, död 20 juni 1759 i Åbo, var en svensk-finländsk konstnär, den första kvinnliga konstnären i Finland och en av de första i Skandinavien. Hon var kyrkomålare och målade altartavlor, men utförde även personporträtt. Capsias föräldrar Gottfried Capsia och Anna Schultz hade kommit till Sverige från Holland. Hon gifte sig i Stockholm 1719 med prästen Jacob Gavelin och flyttade till Vasa 1721, där hon gjorde sig känd som altarmålare i Österbotten. 1730 flyttade paret till Åbo, där hon blev känd i hela landet som konstnär. Hon målade altatavlorna i en rad kyrkor, bla målade hon 1739 Säkylä kyrkas altartavla, och i den gamla kyrkan i Paltamo, den så kallade bildkyrkan, finns bland annat en altartavla från 1727 som föreställer nattvarden. Hennes altartavlor beskrivs som individualistiska och naivt ärliga bibelillustrationer, och hon ansågs som landets då främsta altarkonstnärer tillsammans med Mikael Toppelius. Hon var en av de få kvinnliga konstnärerna kända i Skandinavien före 1800-talet, tillsammans med Ulrika Pasch i Sverige och Johanne Marie Fosie i Danmark. I Finland var även Helena Arnell känd under samma tid.